1 thought on “Melanie Gola”

  1. Dear Melanie,

    Conceptually I like how you’ve taken the found footage of the banana plantation story and paired it with cinematic images of “frightened women”.

    The actor who appears over the green screen images seems to act as a visual narrator and orchestrator of the entire conversion process. I think the subtexts which you are touching on, woman-virgin and ecological destruction for agricultural means have great potential.

    I am wondering if the opening image with the “farm-like and road scene” with the visual narrator should be more jungle like, and less road-trip photo perspective and the two images more crisp or sharp. Best of luck!

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