Filed under: Western Michigan University
Jeremy Emmendorfer
ART 2750: Video Art I
Filed under: U of Wisconsin, Madison
Jenaille Northey
Photo Independent Study
Digital Prints 16″ x 20″
From a series of 27
I am interested in ascertaining the point at which a fictional experience becomes a completely unobtainable reality. What distinguishes these books as purely fiction? What prevents real women from experiencing love the way the books present it? The wide spread popularity of romance novels among women speaks to the desire for idealized standards of chivalry and romance to be met in their own lives. Yet such standards cannot function outside of the realm of fiction and ultimately lead the reader to a sense of disappointment, which is perhaps the crucial element for a fantasy in the first place.
Filed under: U of Wisconsin, Madison
Steph Manor
Art 476: Intermediate Photography
digital prints; 8″ X 11″
Filed under: U of Wisconsin, Madison
Katie Garth
Art 476: Intermediate Photography
Digital Print; 8.5″ x 11″
2 of 20
Filed under: U of Wisconsin, Madison
Rebecca Comfort
Art 576: Advanced Photography
Digital Prints; 18″ x 12″ & 9″ x 6″
I’m examining the relationship between perceptions of American Indians and signage in Monona, WI that utilizes American Indian names/terms, some of which are offensive. The street signs encompass an eight-block neighborhood situated around Squaw Bay. A law in Monona states that an Indian may not own land; when Native members of the community asked the city council to remove the age-old law, the city council refused stating that it was “not enforced, and therefore not important.” Each street sign image will be juxtaposed next to two smaller accompanying images to provoke thought about Monona’s cultural climate.
Filed under: U of Wisconsin, Madison
Jennifer Eppinger
Art 576 Advanced Photography
digital gif; 7x9in
Filed under: U of Wisconsin, Madison
Mackenzie Reynolds
Art 576: Advanced Photography
Digital Photography
The introduction of digital photography has made it even easier to depict both the individual and the family. The ease of digital photography, contrasted with changes in the ideals of the nuclear family, brings me to question the ways that people are presently preserving and displaying their family photographs. My work will examine these relationships. I am interested in the organization as well as the chaos of the personal album. Whether the family collection is stored in a shoe box or proudly displayed on the wall, the choices made in the presentation of photographs play a key role in the telling of a family story.
Filed under: U of Wisconsin, Madison
Katie Garth
Art 476: Intermediate Photography
Digital Print; 8.5″ x 11″
2 of 20
Filed under: Kellogg Community College
Heather Roan
Art 229: Studio Photography
digital prints; 11″ x 17″
2 of a 10 image series
Filed under: Mississippi State University
Missy Lim
ART 4873: Digital Imaging
Digital Prints
10 total images
Filed under: U of Wisconsin, Madison
Cara Hunt
ART 576: Photography
Digital Print
8″ x 10″
Filed under: Kellogg Community College
These are two photos from an assignment called “Indecisive Moment” in which my theme was the seven deadly sins. These particular photos are Lust and Sloth.
Filed under: Western Michigan University
Leo Siciliano and Nick Anderson
ART 3750: Video Art II
Filed under: Western Michigan University
Kevin Olech
ART 3750: Video Art II
Turn off your lights and position your face a few inches from your computer screen. Begin playing the video and then shut your eyes. Interesting effects, patterns and colors should start appearing.
Filed under: Western Michigan University
Kevin Olech
ART 3750: Video Art II
Filed under: Mississippi State University
Matthew Cummings
ART 4873: Digital Imaging
This is a movie made from still images of a zombie attack.
Filed under: Mississippi State University
Dawn Taylor
4873: Digital Imaging
Digital Print; 48″ x 10″
Studio Lighting
C-Print; 10″ x 16″
Filed under: Kellogg Community College
Amanda Spencer
ART 230: Digital Color Photography 2
Digital Print; 9″ x 9″
2 of a series of 13
This assignment is called ‘Old is New’. We were required to shoot images through a twin lens reflex camera using a digital camera to capture what the twin lens saw. I love the reflections on the glass of the twin lens. It gave an eerie feel to the photos which worked quite well considering the subject matter.
Filed under: U of Wisconsin, Madison
Megan McCormick
Art 476: Intermediate Photography
Digital Prints; 8″ x 10″
Filed under: Western Michigan University
Chuck Mankey
ART 3750: Video Art II
Filed under: Western Michigan University
Brittnay Wilson
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Brave New World
By Aldous Huxley
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Aryn Tiller
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Brave New World
By Aldous Huxley
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Kevin Gibb
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Naked Lunch
By William Burroughs
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Olivia Kohler
ART 3570: Video Art II
Filed under: Western Michigan University
Steve Miller
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
1984
By George Orwell
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Kaitlyn Swiderski
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
The Idiot
By Fyodor Dostoevsky
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Tracey Venema
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Like Water for Chocolate
By Laura Esquivel
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
John-Mark Cuarto
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Book of Imaginary Beings
By Jorge Luis Borges
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Ashley Orban
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
The Perks of Being a Wallflower
by Stephen Chbosky
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Leo Siciliano and Nick Anderson
ART 3750: Video Art II
Filed under: Western Michigan University
Rebecca Brand
ART 3750: Video Art II
Filed under: Western Michigan University
Cody Shanley
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
1984
By George Orwell
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Chris Sopsich
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Slaughterhouse-Five
By Kurt Vonnegut
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Jaky Nay
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Naked Lunch
By William Burroughs
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Madison Davis
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
The Book of Laughter and Forgetting
By Milan Kundera
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Brittney Kohn
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Waiting for Godot
By Samuel Beckett
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Andrea Hoffman
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
Slaughterhouse-Five
By Kurt Vonnegut
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Rachel Govert
ART 2160: Black and White Photography I
Silver Prints; 8″ x 10″
Series of 12
1984
by George Orwell
For the final project, we selected a work of fiction. From this, we visualized our experience with the book for a series of 12 photographs.
Filed under: Western Michigan University
Chuck Mankey
ART 3750: Video Art II
Filed under: Western Michigan University
Victoria Veit
ART 3470: Digital Photography 1
Digital Prints; 8.5″ x 11″
